Detective Cass Jones follows in the footsteps of some venerable literary officers of the law - Morse, Sloan, Banks, Dover to name but a few - but I can guarantee than Jones will be the toughest one to get along with.
'A Matter of Blood' is the first book in the Dog-Faced Gods trilogy - and as an introduction to Cass, and the bleak dystopian future he inhabits is a very austere and harsh one; where the police have to take bribes from the criminal underworld as it's the only way they can guarantee a decent wage packet.
While looking into the case of a failed hit on an underworld figure, culminating in the death of two school children, Cass' life is suddenly turned inside out as his very successful brother shoots his own wife and child before committing suicide - leaving behind a very strong implication that Cass is heavily involved in their deaths. Then throw into the mix a serial killer called 'The Man of Flies' - and you have a workload that would cripple the hell out of your average DCI - but it's clear to see that Cass is no average DCI and he has to fight hard against forces he does not understand.
There is a strong, original voice in Cass Jones (with a slightly ghostliness of Irvine Welsh's timeless creation, Bruce Robertson somewhere in there) but this only happens when supernatural happenings emerge into the dank murkiness of the pages - Cass seems to be following the numbers of a slightly bent cop in The Bill for the first part of the book. But Cass is damaged, shrapnel damaged - and that's the key to him and that's where the latent sympathy for him comes from; he might be rotten bad in places, but he doesn't deserve all of the crap that's thrown at him.
The book zips along at a frenetic pace, Sarah's writing has matured since her Leisure book days (last book I read was 'The Taken')- as it stood, I was more of a fan of Sarah's short fiction, but this book has re-dressed the balance somewhat - it's the first novel that's had me on edge for a good few years.
The last fifty pages of any book are always the hardest for me to read - I either want to get them over with and never touch another book by that author again, or I want to savour every last moment and never want the book to end. With 'A Matter of Blood' it was the latter, Sarah Pinborough amps up the tension so much that I had to put the book down for a few minutes to take a wee breather before finishing it off.
Saying that - does she write well within the thriller genre, even though she has managed to blend it with the familiar, dark offerings of her horror days? As much as I'd like to see Sarah continue writing her very effective horror - I think here she has stumbled across a vein in the rock, and she would be foolish not to tap into it. Even though this is book 9 for Sarah, this is her first major UK publication, and I think a very meteoric rise to fame awaits for her.
Roll on book two, it really can't come quick enough.
4/5
Johnny and Sarah Pinborough
You are viewing the text version of this site.
To view the full version please install the Adobe Flash Player and ensure your web browser has JavaScript enabled.
Need help? check the requirements page.